
Triple 9 movie review: ordinary criminals
How did a genre-smashing director make a heist thriller so generic, with characters too unlikable to be engaging but not twisted enough to be intriguing?

How did a genre-smashing director make a heist thriller so generic, with characters too unlikable to be engaging but not twisted enough to be intriguing?

The 2009 Oscar-winning Best Foreign Language Film has been given a listless Hollywood makeover, one that wastes Chiwetel Ejiofor’s effortless sincerity.

This is what a revolution in the 21st century looks like. Spoiler: The power of ridicule when Facebook journalists are watching is vast.

Powerful, intimate, and fresh. We desperately need to hear more women talking about being driven in an inexorable way toward a passion.

A real-life action thriller, a terrifying companion piece to Sicario. Do we want the wild West in the 21st century? Because that’s what we’ve got.

Eerie and sinister, operating on a more psychologically incisive level than the typical horror flick… until it tosses it all with a cop-out of an ending.

Hollywood does not know how to make a movie about women that isn’t about the pursuit of romance. Even when women say they don’t want romance, they’re lying.

A tad dated and scattershot, but the messy package is inventively absurd… and unlike many Hollywood comedies, able to carry that absurdity to a silly end.

Sweet, silly, charming. A true story about an unlikely canine-assisted project to protect endangered birds, goofily fictionalized to engage kids.

Exhaustion of mind and body is the primary sentiment in this sensitively observed family drama, drawn with an intimacy that is palpable and uncompromising.