
Pan movie review: a disaster of fantastically epic proportions
An embarrassingly empty pastiche of numerous beloved action blockbusters, all frenetic action and soulless mishmashes of fantasy imagery.

An embarrassingly empty pastiche of numerous beloved action blockbusters, all frenetic action and soulless mishmashes of fantasy imagery.

Blue Ruin’s Jeremy Saulnier is back with a smart, savage, dryly funny horror flick that has something to say about all-too-human monsters. No spoilers!

An excellent complement to the novel, simplifying the science without dumbing it down yet retaining the suspense and urgency of its interplanetary stranding.

I wish I could have stopped the film — numerous times — simply to give myself a chance to step back from an emotional precipice of horror and tension.

A gripping story from a place where women are less than second-class citizens that insists that they are, in fact, people who deserve to live as they please.

A horror story of today’s economy, of America’s heartless culture in which maximizing profit is all. Michael Shannon brings his usual terrifying intensity.

The first feature film ever about the women who fought for their right to vote is glorious. It is angry and passionate and defiant. It is essential.

The “War on Drugs” has never felt more like an actual war in this brutal, scathing condemnation of the lawlessness of the battle… on the “good guys” side.

Puts CGI, IMAX, and 3D (and Joseph Gordon-Levitt) to perfect use. Everything here comes with a vertiginous thrill and a delightful enchantment.

A nice movie about real problems people face in real life, and it deals with them in as sidelong a way as it possibly can, avoiding all strong emotion.