
Infinite movie review: whoa no
Knee-jerk clichés abound in a shameless retread of The Matrix in which many levels of storytelling ineptitude are the only depth on offer. Can Hollywood please stop reincarnating the same old movies?

Knee-jerk clichés abound in a shameless retread of The Matrix in which many levels of storytelling ineptitude are the only depth on offer. Can Hollywood please stop reincarnating the same old movies?

As credulous — or con-artist cheaty — as its demon-hunter protagonists, but lacking their charm. Worse, it can’t even be bothered to justify and satisfy the procedural approach to its mystery.

A marvel of a sequel that smartly avoids any attempt to recapture the original, instead expanding its world in every way possible. Brisk, crisp, efficient, and full of masterful sequences of suspense.

Brilliantly tantalizing, bursting with creative enthusiasm and bouncy energy, this cheeky work of artistic activism is out to subvert our debt-driven economy. Who says smashing injustice can’t be fun?

This otherwise gorgeous nature documentary is marred by the banal self-therapy of its human protagonist… and he is nowhere near as interesting as the manic pixie dream octopus who changes his life.

I bawled my eyes out in aching nostalgia with this absolutely delightful dive into the creation of the educational TV show and its carefully crafted chaos that had an outsized impact on Generation X.

Come on down for a gen-u-ine American dystopia at the crossroads of end-of-empire and late-stage capitalism. Chloé Zhao’s outsider’s eye is hugely sympathetic but unhindered by knee-jerk patriotism.

The brilliantly unsettling “Two Distant Strangers” is not only the most important of the nominees but one of the movies of the year, of any length. Its surprises are more brutal than mere plot twists.

“Hunger Ward,” an unvarnished vérité look at starving Yemeni children and the medics trying to save them, best encapsulates the human experience of pain and resilience that all the nominees embody.

An electrifying philosophical fantasia that imagines four towering figures of 1960s America arguing over how to navigate racism as Black men. Enraging, but also thrilling, bursting with cinematic joy.