Diana review: princess of whines
Transforms the beloved “People’s Princess” into a drippy, unappealing rom-com heroine, sort of like Bridget Jones with bodyguards.
reviews
Thor: The Dark World review: Viking with a chance of wormholes
Think heavy-metal Lord of the Rings. With wormholes. It’s completely mad and kind of awesome.
Ender’s Game review: big ideas, small heart
My soul was never stirred. My spirit did not soar. My intellect did twitch a bit in ways that made my heart ache disagreeably, however.
Closed Circuit review: cheating in the War on Terror
Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.
Blue Is the Warmest Color review (London Film Festival)
There’s nothing particularly surprising here. Not even the rather tediously obvious 15-minute all-nude lesbian fuckfest.
1 (aka 1: Life on the Limit) review (London Film Festival)
Action packed, with tons of amazing archival footage, but if you don’t already have an interest in Formula 1, it’s unlikely you’ll find one here.
Mistaken for Strangers review (London Film Festival)
Perhaps the least bullshitting, most unostentatious rock doc ever, often as hilarious as This Is Spinal Tap, though with a different aim in mind in the end…
Trap Street review (London Film Festival)
It’s never intense enough for the paranoid thriller it wants to be, but it has some chilling things to say about the dangers of the not-quite all-seeing eye of a total-surveillance society.
Sx_Tape review (London Film Festival) (world premiere)
There’s no reason or logic in this found-footage yawner, and nothing rises to the level of even adolescent notions of sexy-scary.
The Congress movie review (London Film Festival)
A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.
