
Ender’s Game review: big ideas, small heart
My soul was never stirred. My spirit did not soar. My intellect did twitch a bit in ways that made my heart ache disagreeably, however.

My soul was never stirred. My spirit did not soar. My intellect did twitch a bit in ways that made my heart ache disagreeably, however.

Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.

There’s nothing particularly surprising here. Not even the rather tediously obvious 15-minute all-nude lesbian fuckfest.

Action packed, with tons of amazing archival footage, but if you don’t already have an interest in Formula 1, it’s unlikely you’ll find one here.

Perhaps the least bullshitting, most unostentatious rock doc ever, often as hilarious as This Is Spinal Tap, though with a different aim in mind in the end…

It’s never intense enough for the paranoid thriller it wants to be, but it has some chilling things to say about the dangers of the not-quite all-seeing eye of a total-surveillance society.

There’s no reason or logic in this found-footage yawner, and nothing rises to the level of even adolescent notions of sexy-scary.

A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.

Diablo Cody has a new movie… but you’d hardly know it was her work, for all the bite it lacks.

Nothing here is as clever as it is desperately trying to be, but Stallone and Schwarzenegger are game to give us a good time.