The Fifth Estate review: WikiWeak
Might be interesting if it had enough passion and guts to take a stand, but ends up in the mushy middle of the road, which surely sprang from a desire to be “fair” and “balanced.”
reviews
The Fear (La Por) review (London Film Festival)
Brutally blunt in its depiction of domestic violence. I almost wish I hadn’t seen this film, it’s that almost completely unbearable…
Side by Side review (London Film Festival) (world premiere)
Misses more marks than it attempts to hit, but there’s a refreshing sweetness to this child’s-eye view of grief and tragedy.
Camp 14: Total Control Zone review: George Orwell was an optimist
The only person known to have escaped from a North Korean re-education camp reveals some 1984-level shit, except it’s worse, because it’s not fiction…
Blue Caprice (aka The Washington Snipers) review
Thoughtful performances and grim visual elegance aren’t enough to save this portrait of abuse and control twisted into banal evil from becoming too banal to have much bite.
Machete Kills review: justice is bloody (hilarious)
Forget about the socially conscious core that fueled the exploitation engine of the first film. This one is flat-out, no-message action comedy, outrageous and hilarious.
All Cheerleaders Die review (London Film Festival)
Twists the high-school revenge story into feminist black magic.
The Spectacular Now review (London Film Festival)
Stark and gritty, this may be the most down-to-earth teen romance ever, filled with touches of unpredictable, inescapable reality.
Electro Chaabi review (London Film Festival)
An inexcusably blinkered documentary look at a modern youth movement in Cairo that utterly ignores how it cuts girls and women out of its quest for freedom.
The Frozen Ground review
In a rote cat-and-mouse cop-and-serial-killer story, Vanessa Hudgens’ “victim” is far more compelling than either cop Nicolas Cage or killer John Cusack.
