
The Binge: Mrs America
Apart from the value of its explicatory gloss on anti-feminist Phyllis Schlafly, there is entertaining, gratifying drama in the clash of so many complex feminist women working against her.

Apart from the value of its explicatory gloss on anti-feminist Phyllis Schlafly, there is entertaining, gratifying drama in the clash of so many complex feminist women working against her.

A work of breathtaking audacity. This is as perilous as comedy gets, and it’s very, very funny, often shockingly so. Sacha Baron Cohen’s scathing cultural strikes land like extinction-level asteroids.

This pleasantly silly-sad apocalypse, melancholy with a dash of optimism, smashes clichés and finds fresh angles on the familiar. Dylan O’Brien has a self-deprecating charm; there’s a great dog, too.

If you’ve been paying attention, not much is surprising in muckraker Alex Gibney’s timeline-driven rundown of Trump’s COVID crimes. But there is immense value in seeing it all laid out so clearly.

I love the initial cynicism of this sendup of Christian cinema, and love even more how it goes on to punch up rather than down, and embraces sincerity and friendship with good cheer and gentle zing.

Generously, this is a 15-minute short padded out to an unforgivable, patience-trying two hours, there’s so little in the way of fresh ideas or engaging characters. Kudos for making time travel boring.

Enlightening, enraging history of all the ways in which the United States has tried to bar citizens from voting, plus a primer on what Americans can do right now to ensure that our voices are heard.

A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.

I’m obsessed with this British miniseries following one family through a dystopian 2020s. It’s completely harrowing, very nearly soul-crushing. Yet I cling to its tenuous optimism and profound beauty.

Offbeat portrait of an unconventional girl is all over the place, sometimes detouring into the cringeworthy, as it tries to depict the emotional familial confusion its tween protagonist is navigating.