
The Binge: The Mandalorian S1
Here is the future of Star Wars, one not mired in the narrow threads of the movies’ mythology, but a story that acknowledges that there is a whole big complicated wonderful galaxy to explore.

Here is the future of Star Wars, one not mired in the narrow threads of the movies’ mythology, but a story that acknowledges that there is a whole big complicated wonderful galaxy to explore.

In an intimate yet shattering documentary, Black British activist Femi Nylander searches for “the imperial history they didn’t teach at school,” and finds it. Heartbreaking, provocative, illuminating.

Apart from the value of its explicatory gloss on anti-feminist Phyllis Schlafly, there is entertaining, gratifying drama in the clash of so many complex feminist women working against her.

A work of breathtaking audacity. This is as perilous as comedy gets, and it’s very, very funny, often shockingly so. Sacha Baron Cohen’s scathing cultural strikes land like extinction-level asteroids.

This pleasantly silly-sad apocalypse, melancholy with a dash of optimism, smashes clichés and finds fresh angles on the familiar. Dylan O’Brien has a self-deprecating charm; there’s a great dog, too.

If you’ve been paying attention, not much is surprising in muckraker Alex Gibney’s timeline-driven rundown of Trump’s COVID crimes. But there is immense value in seeing it all laid out so clearly.

I love the initial cynicism of this sendup of Christian cinema, and love even more how it goes on to punch up rather than down, and embraces sincerity and friendship with good cheer and gentle zing.

Generously, this is a 15-minute short padded out to an unforgivable, patience-trying two hours, there’s so little in the way of fresh ideas or engaging characters. Kudos for making time travel boring.

Enlightening, enraging history of all the ways in which the United States has tried to bar citizens from voting, plus a primer on what Americans can do right now to ensure that our voices are heard.

A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.