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Hilarious true story. You’ll love this. In the 20th century, up until as late as 1970, thousands and thousands and thousands of British children were forcibly deported to Australia, where they were herded into group homes or other institutions, treated like slave labor, and subject to regular physical and sexual abuse on top of the emotional abuse of being ripped from their families, their homes, their country.
It’s one thing to say that Hollywood scoops up indie filmmakers, chews them up, and spits out McG and Brett Ratner clones, which absolutely happens. But that’s on a whole ’nother level to what it has done to David Gordon Green. Someone took the most glorious bottle of vintage champagne and whipped up Tang mimosas.
So tediously familiar that I could barely remember most of it after I left the cinema. I’m exaggerating just a tad, but even if I didn’t remember it, I could have told you what it was about anyway, because it deviates not one whit from the formula that we’ve come to understand is somehow “essential” for “family” movies…
In Dublin in the late 1970s, a bunch of guys who fancied being rock stars even though they couldn’t play a lick of music formed two bands that developed a friendly rivalry. One of those bands went on to become U2. This is the story of the other band.
Do kids really need to be reminded — in IMAX 3D! — that Mom loves you and has your best interests at heart when she tells you to eat your broccoli and gets mad when you feed it to the cat instead? I guess someone at Disney figured this was the case.
First-time feature filmmakers director Edward Boase and screenwriter James Walker want you know right off the bat that Blooded is not a “mockumentary.” But it is a fictional story told in an expansive documentary format — complete with “reenactments” of “real” events — that lends a powerful urgency and immediacy and relevance to an invented story in a way that a more narrative structure would have missed.
If you haven’t already seen 2009’s Moon, I beg you to do so before you see Source Code, which will put you off director Duncan Jones, which wouldn’t be fair to you, to Jones, or to Moon.
The bunny? It burns. Bad.
This SUCKER PUNCH from my man Zack Snyder is just like so totally fukkin awesome I dont even know where to start. Who the fuk wants to watch fukkin hobbits gettin all weepy and shit get to the part where we get to see orcs vomittin black blood when there heads get loped off and shit. And its all in the fukkin slomo shit where you can like really savor that shit and make it last. Thats what SUCKER PUNCH is just one long aaaaahhhh of awesomeness.
Lunkhead Channing Tatum as a soldier in Roman-era Britain? Must be processed Hollywood cheese, and hence hootingly entertaining, right? But Tatum acquits himself admirably here, in a film that clearly intends to ensure Hollywood cheese is the last thing that comes to mind…
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