
Dark Waters movie review: capitalism will kill ya
If you like these sorts of movies, you’ll like this one, a solid SJW drama out to condemn, with plenty of evidence, profit-above-all capitalism that embraces willful negligence and corruption.

If you like these sorts of movies, you’ll like this one, a solid SJW drama out to condemn, with plenty of evidence, profit-above-all capitalism that embraces willful negligence and corruption.

French New Wave icon Jean Seberg plays an unwitting game of cat-and-mouse with the FBI in a strangled blend of biopic and paranoid thriller. Not even always fascinating Kristen Stewart can save this.

An old-fashioned kiddie adventure, sweetly earnest, equal parts scary, funny, exciting, sad, and happy, with only a bit of uncanny valley in its CGI doggo star. Definitely had something in my eye.

Charming culture-clash rom-com is full of life, celebrating human universals of family and love, and embracing differences that make the world so interesting. Smart and spritely, feminist and funny.

A sly, penetrating zing and a frisson of Insta-influencer horror — of the oppression of performative perfection against a marzipan backdrop — renders Austen’s fluff and nonsense deadly serious.

Guerilla filmmaking is at its most charming in this melancholy romance set — and improvised and shot on the fly — in the 2018 Pyeongchang Olympic Village. Delightful and delicately observed.

My pick: “Learning to Skateboard in a Warzone (If You’re a Girl),” a tremendous ode to the power of sports to boost girls’ self-esteem and set them free from the shackles of the limited expectations.

My pick: The gorgeous “Brotherhood” opens up reductive notions of Middle Eastern cultures in the Western imagination while telling a moving story of family and forgiveness that is quite universal.

My pick: I haven’t seen a short film this year that is as full of pure joy as “Hair Love.” I’d like to think that its sweet positivity will be the thing that, at this awful moment, gives it an edge.

Stylistically sophisticated and psychologically insightful, this is an exquisitely ambiguous and inventively disturbing mashup of body horror, demonic possession, and Lovecraftian science fiction.