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Taboo-busting laugh-until-you-cry tale dares to speak of oft-unspoken matters of women’s lives. So very necessary to open up the range of women’s experiences seen as baseline. I love this movie.
Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.
So aggressively precisely what you think it is that there’s almost no point in seeing it. Flattens a true story into generic pap that isn’t even that successfully, authentically feel-good, either.
Don’t let the Pixar curve throw you: familiar this quest may be, but it’s full of magic and wonder and humor and melancholy, and set in a fully realized fantasy world. Not a masterpiece but very good.
It’s meet-melancholy in an elegant, female-gazey romantic drama audaciously mingling past and present. A swanky celebration of confident, complex women and the bittersweetness of adult relationships.
Badass UN Special Rapporteur Leilani Farha probes the global housing crisis and breaks down the complex cause into something readily comprehensible… then enraging. (But she has a solution, too.)
This exasperating movie is so obnoxious it could be deliberately trolling us. Wants to have its ambiguous cake and eat it, too, smothered in a gloomy frosting. *extremely pinches nose in despair*
This instantly forgettable fluff lazily relies on too many unfunny slapstick and grossout tangents. But real humor blossoms in the terrific performances and in a fast, funny, and surprising feminism.
If you like these sorts of movies, you’ll like this one, a solid SJW drama out to condemn, with plenty of evidence, profit-above-all capitalism that embraces willful negligence and corruption.
French New Wave icon Jean Seberg plays an unwitting game of cat-and-mouse with the FBI in a strangled blend of biopic and paranoid thriller. Not even always fascinating Kristen Stewart can save this.
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