
Journeyman movie review: men and all the feels
Sensitive drama about traumatic brain injury, featuring an extraordinary performance by Paddy Considine and much brutal honesty about men’s inability to deal with their own emotions.

Sensitive drama about traumatic brain injury, featuring an extraordinary performance by Paddy Considine and much brutal honesty about men’s inability to deal with their own emotions.

A movie as thrillingly weird as its protagonist. We are totally enrapt by the wonder and the terror of her imagination, and the power of it to create joy and solace.

Enormously likable characters make this feel like a big friendly rambunctious dog that you can’t help but get a kick out of, but it fundamentally misunderstands the appeal of its predecessor movie.

A little bit psychedelic, a little bit queasy, a little bit experimental, a lot existential, this is a jarring, visceral portrait of the around-the-world sailor in over his head.

Ah, it’s another “teen falling in love while dying beautifully” romance. When it isn’t sappy and predictable, it doesn’t make a whole lot of sense. Its young couple is perfectly charming, though.

This low-budget science-fiction film has an ambition that exceeds its reach, and has nothing to surprise the self-respecting geek a movie like this one is aimed at.

As a piece of craft, this is a smack in the face to Hollywood’s bloated blockbusters. As a piece of pulp, it brings a sharp, smart feminist twist to familiar tropes of cinematic paranoia.

A fiercely feminist and proudly revisionist historical drama that offers a powerful and much-needed rebuke to modern Christianity. Enrapturingly beautiful and intensely emotional.

Another videogame adaptation in which empty avatars run around perfunctorily because that’s what the plot requires of them. There’s no humor, no fizz, no movie magic at all.

In the moment of #MeToo, this tale of the relationship between a male professor and a young female student is howlingly out of step and outrageously tone deaf. And that’s on top of its tedious clichés.