
Love, Simon movie review: call me by your screen name
A sweetly old-fashioned romance about a young man who falls in love over email… with another young man. Tender, funny, sometimes heartbreaking, enormously human and honest.

A sweetly old-fashioned romance about a young man who falls in love over email… with another young man. Tender, funny, sometimes heartbreaking, enormously human and honest.

Not an anthology of complete short tales but the highlights from much longer stories only briefly sketched and left maddeningly unfinished. Barely a movie at all, more a tease of one.

A peanut-butter-in-my-chocolate movie, this Die Hard meets Twister monster is so ludicrous it comes all the way back around to being awesome and hilarious.

A tart, sharp, life-affirming dramedy, one that is slightly more edgy and far less predictable than it probably has any right to be. Celia Imrie and Imelda Staunton are magnificent.

What starts out as a genial drawing-room satire on class and snobbery soon turns to a sly romantic comedy about the fantasy of romance and the crushing expectations placed on women.

An apocalypse unlike any onscreen before. A film often almost unbearably tense, in part because it audaciously reconsiders the role sound plays in eliciting our emotional response.

It’s too predictable and too disingenuous about the realities of what it means to be an “older” woman. But Sharon Stone is totally charming.

It’s oddly structured, doesn’t seem to know whom its audience is, and indulges in too much distracting grossout humor. But the sex-positive message and the delightful cast make it just about worthwhile.

Absolutely delightful and utterly original, with its lovingly crafted stop-motion animation bursting with sweetness but also with a winking mockery. I have just a few caveats…

A nightmare of nothingness, of empty, soulless wankery, that serves only to reassure male dorks that their pop-culture obsessions make them special, and will make cute girls like them.