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*Knight and Day* may have generic characters doing generic things in generic situations, but it’s got Movie Stars with huge white smiles looking pretty and being blandly inoffensive in exotic foreign locales. What’s that? You need more than that? Why do you hate Hollywood?
If the ongoing meltdown of Michael Douglas’s obnoxious asshole in a three-quarter-life crisis is your idea of a good time, have at it.
It seemed like a good thing not to get one’s hopes up too much, because how long can Pixar’s streak of genius and spirit and wonder last? But this is a finale that brings the overarching story to its satisfying conclusion.
If Jonah Hex can talk to the dead, then he’s probably the only one (apart from Ned the Pie Man) who could have any meaningful interaction with this movie.
Completely insane, totally preposterous, and sort of wonderful, in a junk food kind of way.
‘Karate! Kung fu! Whatever!’ says Mom. Exactly! Who cares what the Asian ass-kicking is called. Not important! The important thing is that the cute little American kid will teach the Chinese ignoramuses a thing or two about their own culture. Stupid foreigners!
What’s next: a Family Circus movie? Where o where is the hero who will save us?
Kutcher is barely plausible in those TV ads for digital cameras, sneaking up on people to take their pictures. A spy and hired killer? Don’t make me laugh.
What if there were realms in which *woman* was not meant to meddle? It’s not as progressive as it sounds. But you knew that already.
Russell Brand is still the best thing here, but at least he gets to be onscreen a helluva lot more than he was in *Sarah Marshall.* Alas that onscreen just as often is Jonah Hill…
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