
Glen Campbell: I’ll Be Me documentary review: music hath power
A harrowing yet also inspiring portrait of the American pop music icon as he copes with the rapid deterioration of Alzheimer’s.
A harrowing yet also inspiring portrait of the American pop music icon as he copes with the rapid deterioration of Alzheimer’s.
Paints a true-life picture of ordinary people with human consciences defying their orders and the law to do the right thing when bureaucracy fails them.
A genuine horror story, sweaty with a palpable ring of truth about the unending fear that accompanies life on the knife edge of financial despair.
A magnificent film, vital and alive, with the most profound sense of immediacy I think I’ve ever felt in a historical story.
Filmmaker Nick Broomfield does something completely astonishing (though it shouldn’t be): he listens to people the cops utterly ignored.
A heartbreaking child’s-eye view of the moment when it begins to dawn that the world is going to be unimaginably cruel to a nonconformist.
Joyous and exhilarating. A fresh and funny animated adventure that subverts genre clichés at every turn.
You will be shocked, I am sure, to discover that Big Oil has put its profits before all else (including you).
It doesn’t quite work as a package, but Wahlberg is a real pleasure to watch as he crafts a portrait of a tormented anti-hero with an apparent death wish.
Simultaneously the dullest and the most insulting version of itself it could possibly be. If only it had managed to be campy, that’d be something…