
The Divergent Series: Insurgent movie review: being human
Sneakily undercuts tropes of the young-adult hero’s journey. But in a more adventurous movie environment, this wouldn’t feel this fresh as it does.

Sneakily undercuts tropes of the young-adult hero’s journey. But in a more adventurous movie environment, this wouldn’t feel this fresh as it does.

An immediate and intimate tale of forbidden romance and other complex emotions and contradictory obligations. This ain’t history but a very human now.

An honest, heartfelt film, full of lovely performances, yet one that ends up rather unexpectedly conventional.

Too long and too same-old, and even Liam Neeson’s effortless tough-guy charm can only carry this familiar-feeling film so far.

It’s not very suspenseful or romantic, but the always awesome Patricia Clarkson remains calm and kicks some ass, so that’s something.

A product of the Disney princess machine. Its highest ambition is to move a new line of toys. Or to evoke despair in the fairy-tale-ization of girls’ lives.

An extraordinarily personal story about prostitution, one with a gentle but undeniable humanist force for hopeful understanding.

Apparently made by snickering 12-year-olds who like naked boobies and have heard rumors about the phenomenon known as “the business trip.”

A morally muddled mess that is convoluted in plot and appallingly simplistic in its themes. I am a sad geek today.

There are things in which horny teenaged boys were not meant to meddle. Like we needed the warning.