
Racing Extinction documentary review: the asteroid this time is humanity
A horror flick about the blundering of humanity on a scale so enormous that global warming is only a small part of it. But its monster is not unconquerable.

A horror flick about the blundering of humanity on a scale so enormous that global warming is only a small part of it. But its monster is not unconquerable.

Michael Moore doesn’t hate America. But he does wonder how other nations are doing so many things better than the supposed greatest country in the world.

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

Enchanting, startling; a rare story about a girl at a precarious age. Full of that exquisite Studio Ghibli sorcery that captures the beauty of the ordinary.

Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.

Paints an impressionistic canvas of unease and disquiet, of hope and wonder, filled with glorious music. Magical… though sometimes it’s black magic.

A protagonist who revels in the sheer cynicism of her job gets a sentimental redemption out of nowhere; Sandra Bullock’s comedic chops are undercut by it.

A missed opportunity to tell what should be a captivating real-life disaster tale that is instead plodding, scattershot, and lacking in dramatic impetus.

Simplistic, but a charming and child-friendly introduction to our cousins in the wild that no zoo could provide, with a monkey heroine whom kids will cheer.

Utterly implausible on every level, and ultimately rather insulting: a bit of glitter and lots of hugs are the sum total of its “girl power.”