
Ballerina (aka Leap!) movie review: lowering the barre
Cheesy Euro ballerina-porn cartoon is full of dated animation, cringeworthy attempts at humor, bizarre anachronisms, and a terrible message for little kids.

Cheesy Euro ballerina-porn cartoon is full of dated animation, cringeworthy attempts at humor, bizarre anachronisms, and a terrible message for little kids.

An extraordinary blend of documentary and fiction, a strikingly intimate, humane tale of a family, a house, and a nation. Like nothing you’ve seen before.

Reluctant-buddy action comedy feels like unfunny, warmed-over ’90s leftovers. Ryan Reynolds and Samuel L. Jackson look like they’d rather be elsewhere.

Covers ground — the lives of black teen girls — that mostly goes unexamined onscreen. It couldn’t be fresher or more important. It’s also wildly entertaining.

More plot holes than plot, this overly convoluted, deeply stupid Fast and Furious wannabe is crammed with clichés and memorable only when it’s laughable.

The living, breathing, bleeding life of the breathtaking fight scenes cannot overcome confusingly twisty spy intrigue and multiple male gazes on the story.

All familiar funhouse spooks telegraphed a mile out, with no spiritual or psychological weight, but with some very young girls terrorized for your entertainment.

Stereotypes and contrived shenanigans don’t seem to actually offer much catharsis for harried moms seeking escape. And the dads inevitably butt into their me-time.

There is barely an original thought in this wackadoodle sci-fi panto, just a lot of tiresome passé attitudes skidding among bug-eyed-monster set dressing.

A charming delight in a retro timeslip. Gillian Robespierre and Jenny Slate continue their rampage of creating wonderfully, memorably flawed women onscreen.