Sx_Tape review (London Film Festival) (world premiere)
There’s no reason or logic in this found-footage yawner, and nothing rises to the level of even adolescent notions of sexy-scary.
reviews by year
The Congress movie review (London Film Festival)
A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.
Paradise review
Diablo Cody has a new movie… but you’d hardly know it was her work, for all the bite it lacks.
Escape Plan review: old-fogey action
Nothing here is as clever as it is desperately trying to be, but Stallone and Schwarzenegger are game to give us a good time.
The Fifth Estate review: WikiWeak
Might be interesting if it had enough passion and guts to take a stand, but ends up in the mushy middle of the road, which surely sprang from a desire to be “fair” and “balanced.”
Camp 14: Total Control Zone review: George Orwell was an optimist
The only person known to have escaped from a North Korean re-education camp reveals some 1984-level shit, except it’s worse, because it’s not fiction…
Blue Caprice (aka The Washington Snipers) review
Thoughtful performances and grim visual elegance aren’t enough to save this portrait of abuse and control twisted into banal evil from becoming too banal to have much bite.
Machete Kills review: justice is bloody (hilarious)
Forget about the socially conscious core that fueled the exploitation engine of the first film. This one is flat-out, no-message action comedy, outrageous and hilarious.
The Spectacular Now review (London Film Festival)
Stark and gritty, this may be the most down-to-earth teen romance ever, filled with touches of unpredictable, inescapable reality.
The Frozen Ground review
In a rote cat-and-mouse cop-and-serial-killer story, Vanessa Hudgens’ “victim” is far more compelling than either cop Nicolas Cage or killer John Cusack.
