
The Other Guys movie review: cops and bunglers
It’s all absurd and overblown and — most importantly — consistently so through to the end.

It’s all absurd and overblown and — most importantly — consistently so through to the end.
Ever since he was a kid, Jack Harris never wanted to be a pornographer…
Poor Zac Efron: he’s at that awkward Movie Star stage. He’s got It: that indefinable onscreen charisma. But Hollywood doesn’t have a lot of options for him while he’s stuck in the postadolescent, not-quite-grownup phase.
It’s not so much *Dinner for Schmucks* as it is *Waiting for Dinner for Schmucks.* You know, like *Waiting for Godot,* only in reverse. Because the schmucks start showing up right as the damn movie starts, and they never go away.
Oh, America. Keep your little girls away from *Ramona and Beezus.* For your little girls might get ideas into their heads. You know, dangerous ideas about using their imaginations. And about not giving in to bullies or the pressure to be predictable and conventional. And about the value and fun of being their own funky, original selves.
*Salt* works. As in breathless-nonstop–action-intensity works. Oh, sure, it’s nutty-as-a-fruitcake insane at the same time, but being this hugely entertaining goes a long way toward making you not want to laugh at it.

Someday, Rockwell will get his Oscar due, I have no doubt. But I bet that when that day comes, lots of movie lovers will look back and say, “But it should have happened for Moon.”
Lo and behold and WTF, here’s adorkable Jay Baruchel getting molested by dancing mops as the literal replication of a 70-year-old cartoon forces its way into a movie where it clashes tonally, interrupts the plot, and just plain makes no sense.

My mind is blown. It is. Just not quite as blown as I was expecting it to be.
I debated with myself for quite a while: Should I endure *The Human Centipede (First Sequence)*? I knew I wouldn’t be able to unwatch it afterward…