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A charming tribute to one remarkably dedicated cinema fan and historian, and to his decades-long hard work to save an essential piece of the pop-culture past and cultivate its story for the future.
This rape-revenge action horror is solid as pure grindhouse exploitation. But the rendering of its rage-fueled female protagonist is too salacious for this to ever be considered feminist.
This sci-fi riff on the end of privacy is not as provocative as it would like to be, and its mystery completely falls apart in the end. But its visual worldbuilding is fascinating.
This perfunctory home-invasion flick can’t whip up much suspense, and it strains for a feminism that it doesn’t know how to engage. But Gabrielle Union’s movie-star charisma shines through.
The complete lack of conflict overshadows even the cringeworthy attempts at physical comedy. Where’s the story in a woman who positively sails through her midlife crisis? The endearing McCarthy deserves so much better.
A flimsy treasure-hunt plot, a sexy song-and-dance number, and more of the same Elton John songs deployed with trite, lazy tedium. They mean to keep cranking out these dumb, dull movies, don’t they?
A lovely, melancholy documentary about the planned community of Basildon in England… but really about squandering of postwar optimism with the rise of neoliberalism.
A portrait as delightful as its subject: Kholoud Al-Faqih, a pioneer of Islamic jurisprudence and as fiery as any Western feminist. Essential viewing for its smashing of stereotypes.
A movie unlike any we’ve seen before, one deeply, intimately sympathetic to modern motherhood — to modern womanhood. Brilliantly wise and funny, and profoundly moving.
A marvelous, funny, deeply moving biography of Ruth Bader Ginsburg from her rise as a legal champion of women’s rights in the 1970s to her ascension as a Supreme Court justice and social-media hero “Notorious RBG.”
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