
The Ottoman Lieutenant movie review: erasing the past with sleight of cinematic hand
Odious propagandistic attempt to enshrine Turkish denial of the Armenian genocide of World War I into cinematic history via a tepid and unconvincing romance.

Odious propagandistic attempt to enshrine Turkish denial of the Armenian genocide of World War I into cinematic history via a tepid and unconvincing romance.

A wonder of low-budget suspense, this is a horror movie with no monsters, only people in an impossible situation. Intense, claustrophobic, totally gripping.

Takes women’s hostility out of the realm of the passive-aggressive and gives it free comedic rein physically in a way that is hilarious, disturbing, and pointed.

Boiled down to its bonkers essence, Skull Island is a Vietnam war movie with monsters, a retro analog vibe, and a dash of both Moby-Dick and The X-Files.

Simply a lovely film, with some of the most striking — and haunting — animation I’ve ever seen, and full of a remarkable and palpable warmth and humanity.

Analyzing jokes can ruin humor, but not here. This is a provocative, hilarious, and important discussion of comedy taboos, who gets to transgress them, and why.

Snappy, snappish historical drama about the partition of India rings with sly humor, dry cynicism, and a smack of relevance for today’s divisive politics.

The X-Men series — the entire superhero genre — has never seen a film like Logan before: raw, rageful, tormented, human. Best of the series yet.

Unfocused like a 1970s cast-of-thousands disaster flick, and with little point beyond engaging in bland and easy propagandistic cheering. Boston deserves better.

Ominous signs and psychological detours get tossed out and tossed away on the path to ridiculous gothic nonsense that takes itself far too seriously.