
Oscar Nominated Animated Shorts (89th Academy Awards) review
My pick: “Pearl,” blending new VR tech with old-fashioned characters and emotions, demonstrating storytelling possibilities that are beginning to open up.

My pick: “Pearl,” blending new VR tech with old-fashioned characters and emotions, demonstrating storytelling possibilities that are beginning to open up.

Plain pure fun. At its best, it’s Lord of the Rings meets Aliens, with incredible imaginative grandeur and genuinely breathtaking 3D depth.

My anger that women filmmakers doing a horror anthology is seen as a novelty almost overshadows my disappointment that these short films aren’t very scary.

Thank god this insult of a movie doesn’t try to fool us into believing that the controlling Christian Grey is appealing. That would be even more horrific…

Fresh feminist horror of a very welcome taboo-smashing kind. Nasty, hilarious, outraged and outrageous, and as poignant as it is blackly funny.

A great Batman movie, a great superhero movie, and a gloriously bonkers expression of the sublime silliness of crime fighters in capes, and our love of them.

Poignant and hilarious and wise, a melancholy ode to a moment when when the world was changing for women (and men)… and how it still and always is.

I would give the Oscar in a three-way tie to the Syrian-themed nominees, which offer stunningly intimate observations on the ongoing humanitarian crisis.

Shocking, essential documentary looks at the shameful and avoidable failure of the NSA to prevent 9/11. All Americans (and everyone else) should see this film.

This delicately realized portrait of an intellectual Tehran couple could easily be taking place in New York, London, or Tokyo. The empathy machine strikes again.