
Bad Hurt movie review: family tied
Exhaustion of mind and body is the primary sentiment in this sensitively observed family drama, drawn with an intimacy that is palpable and uncompromising.

Exhaustion of mind and body is the primary sentiment in this sensitively observed family drama, drawn with an intimacy that is palpable and uncompromising.

Instantly forgettable but inoffensive fluff… you know, for kids. And “inoffensive” is better than can be said for many movies aimed at children.

A horror flick about the blundering of humanity on a scale so enormous that global warming is only a small part of it. But its monster is not unconquerable.

Michael Moore doesn’t hate America. But he does wonder how other nations are doing so many things better than the supposed greatest country in the world.

Callous, crass, unpleasantly smug. Supposes it’s being edgy because its protagonist swears a lot, but it’s like a child saying bad words just to be naughty.

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

Exists on the spectrum between “fascinating and unclassifiably odd” and “could almost be a parody of an arthouse film except it’s too moving to be a joke.”

A portrait of grief that borrows the conventions of romantic comedies. There may not be a lot of passion here, but there is plenty of pleasant zing.

Enchanting, startling; a rare story about a girl at a precarious age. Full of that exquisite Studio Ghibli sorcery that captures the beauty of the ordinary.

Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.