question of the day: What’s geeky about musical theater?
Why does it seem to appeal to the same people who love science fiction and fantasy? What does musical theater have in common with the things we more traditionally think of as “geeky”?
Why does it seem to appeal to the same people who love science fiction and fantasy? What does musical theater have in common with the things we more traditionally think of as “geeky”?
Inspired by that powerful final scene of Les Misérables…
I’m gonna go with all the Hoth stuff in The Empire Strikes Back. There’s a ton of humor and just plain human desperation connected to the cold setting — the weather and the environment isn’t just sci-fi dressing.
Note that I’m not asking if the Internet will kill all spirituality, just the way we see spirituality co-opted and corralled by the major and minor organized religions.
My choice: Midnight Kessel Run…
Are there cases where it wouldn’t make the most sense to leave an entire story intact and simply change the protagonist’s gender? Would a better updating be retelling classic stories from the perspective of female characters who would have been on the periphery?
The best modern television has become far more novelistic in recent years, and this makes the debut of a new show more like the debut of a novel, something that fans will digest at their own pace that is not being dictated by the show’s creators or by the network airing it.
Is there a perception of authority for anyone who’s quoted on a movie ad, merely because he or she is quoted there? Or is this just sheer desperation on the part of Open Road Films?
Feel free to talk about the TV side as well, if you like…
I suspect it would be the social changes, not the technological ones, that would stun a 1950s person the most…