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Dramatizes a bizarre moment in time with a straightforward aplomb that is devastating. You wish you could laugh at the insanity of it but the only emotional response is overwhelming rage and grief.
A film of immense power and eerie beauty, James Cameron’s Titanic could only have been made now, not because of its technical requirements but because the cultural attitudes of the era in which it is set have come full circle to concern us again today.
Like Lawrence of Arabia, Out of Africa is a story of time and place. Just as T.E. Lawrence’s tale could only have happened in the Middle Eastern deserts of the Great War, Isak Dinesen’s would not exist without the gorgeous vistas of East Africa of almost exactly the same time.
Chariots of Fire may be veddy British, veddy 1920s — Gilbert and Sullivan, straw bowlers, cricket, school ties — but its story is as timeless as the Olympics themselves. This is quite possibly the most lyrical, most spiritual sports movie ever made.
Part II continues the sweeping family epic that ironically juxtaposes quintessential American values with the extremely realistic violence and criminal mentality of mobsters. The Godfather Part II, even more so than its predecessor, tells a story of immigrants in America that — minus the felonies and murders — many of us might recognize as tales our grandparents told.
As we approach another century’s turn, it’s educational to look back at how society dealt with the last big rollover. Cavalcade follows the fortunes and misfortunes of two Victorian families — the prosperous Marryots and the working-classes Bridgeses — from New Year’s Eve 1899 to New Year’s Eve 1932.
Wichita just ain’t far enough west for Yancey Cravat (Richard Dix). He longs for the untamed frontier. So when the 1889 Oklahoma land rush puts 2 million acres up for grabs, he packs up the wife, Sabra (Irene Dunne), and the kid, Cimarron (which means ‘wild,’ we’re told), and heads off to help build a new world, or, more specifically, the boomtown of Osage, Oklahoma.
Anyone who doubts that silent films can be just as engrossing as those newfangled talkies needs to see Wings, an early buddies-go-to-war story that still echoes in today’s movies.
I suspected The Fifth Element was gonna turn out to be a bunch of claptrap, and I was right. It’s a visually stunning film, to be sure — I’m a sucker for gorgeous spaceships and gorgeous spacescapes — but ultimately it’s a strange brew of Blade Runner, Raiders of the Lost Ark, and Douglas Adams, mixed with a lot of pseudoreligious, pseudoscientific nonsense.
Titanic is one of the best movies I’ve ever seen. If you haven’t seen it yet, stop reading this instant and run out to the multiplex. Titanic is simply a great film — and by *great,* I don’t mean *very good.* I mean *great* as in *epic and profound*…
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