
Dunkirk movie review: the power of purpose
Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.

Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.

This low-stakes, emotionally limp portrait may be intended to humanize a towering, almost mythic figure, but instead just needles and undercuts him.

The cast is charming, but this listless and mysteriously unfunny cover of the 1949 Ealing comedy doesn’t seem to have bothered to look for a good reason to exist.

Delightful dry and snarky satire on wartime propaganda, sharp feminist commentary, and a brilliant cast make this snappy historical dramedy a real corker.

Not alt-history but a true story from a Nazi-occupied English-speaking place, a hugely relevant reminder that resistance to injustice is an absolute imperative.

Boiled down to its bonkers essence, Skull Island is a Vietnam war movie with monsters, a retro analog vibe, and a dash of both Moby-Dick and The X-Files.

Snappy, snappish historical drama about the partition of India rings with sly humor, dry cynicism, and a smack of relevance for today’s divisive politics.

Insistent chemistry between David Oyelowo and Rosamund Pike fuels a true story of passionate romance with an urgent message about love as radical and political.

An elegant potboiler that judiciously balances psychological and physical suspense, one that feels like a romantic drama from WWII only recently rediscovered.

Relentlessly dull. A tour of a strange world and “characters” little more than their “peculiar” abilities isn’t enough to whip up fantastical excitement.