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1960s

curated cinema: the madness and genius of Brian Wilson

Thu, Jun 12, 2025
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2015’s Love & Mercy is on Prime and Apple TV+ on both sides of the Atlantic.

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Final Destination: Bloodlines review: the curse of fatal death

Tue, May 20, 2025
2 comments

The dorm-room philosophy of the 25-year-old series is still pondering how wild it is that we all die, how fragile our meatbag bodies are. Now with gory dismemberments and squishy impalements in IMAX!

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Maestro movie review: changing the tune, masterfully (London Film Festival 2023)

Fri, Dec 01, 2023
2 comments

Oh, frabjous film! Bradley Cooper’s astonishing high-wire act feels classic and modern at the same time: immersive and impressionistic, breathtakingly bold. A kick in the pants to mainstream cinema.

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daily stream: the ethics of war on a nuclear-armed planet

Thu, Aug 24, 2023
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2003’s The Fog of War is on Prime and Apple TV on both sides of the Atlantic.

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daily stream: Llewyn is the cat…

Tue, Aug 08, 2023
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2013’s Inside Llewyn Davis is on Prime on both sides of the Atlantic.

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daily stream: when the world pushes men to ridiculous displays of masculinity

Thu, Apr 06, 2023
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2018’s The Mercy is new on Kanopy in the US, on StudioCanal Presents in the UK (and on many other services on both sides of the Atlantic, too).

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weekend watchlist: hacking capitalism

Tue, Aug 02, 2022
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Plus the horror stories women live, cold cops, and more. (First published July 2nd, 2022, on Substack and Patreon.)

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weekend watchlist: a couple of treasures for Pride Month

Mon, Jul 18, 2022
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Plus a lovable English crank and a put-upon Texan mom. (First published June 18th, 2022, on Substack and Patreon.)

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Happening (L’événement) movie review: the history about to repeat itself

Fri, May 06, 2022
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An intense, intimate tale of historical illegal abortion, with a central performance of focused terror; a harrowing body horror that looms again. I cannot overstate the absolute urgency of this film.

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classic film virgin: The Outsiders: The Complete Novel (4K restoration)

Mon, Nov 22, 2021
6 comments

The deep, honest emotion undercutting the performative toxic masculinity of these young men is beyond charming and vitally essential, but the melodramatic randomness of the plot ultimately lost me.

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