
movies by or about women opening US/Can Mar 04–06
Kelly Reichardt cowrites and directs First Cow; more… [This post is for Patreon patrons only for the first month.]

Kelly Reichardt cowrites and directs First Cow; more… [This post is for Patreon patrons only for the first month.]

French New Wave icon Jean Seberg plays an unwitting game of cat-and-mouse with the FBI in a strangled blend of biopic and paranoid thriller. Not even always fascinating Kristen Stewart can save this.

A winning (if overearnest) depiction of manly friendship, with some pretty thrilling (if only technically so) racing stuff. But it doesn’t see its potential to be actually culturally significant.

Meet the “nerdy engineer” who dreamed of a life in aviation… and landed a tin can on the Moon. A deeply moving portrait of the modest man who seems to have been destined for his historic voyage.

This astonishing assemblage of vintage footage, some never before seen, may be unspoilable (we know how it ends) but it’s still hugely suspenseful, and beautifully immersive visually and emotionally.

A lazy treadmill of a sci-fi morality play that wastes a terrific cast. A numbingly dull game of mutant checkers that has no idea how to tell a woman’s story except filtered through the eyes of men.

Joyful and rowdy, self-deprecating and vulnerable, absolutely electrifying as it deconstructs the sex-drugs-and-rock’n’-roll story. Taron Egerton is chills-inducingly good. Sheer cinematic magic.

Jill Magid directs documentary The Proposal, about her own performance-art project; more… [This post is for Patreon patrons only for the first month.]

Elegant but dull, and so subtle it’s downright diffuse. If you don’t know much about Rudolf Nureyev going in, you won’t know much coming out, either. Weirdly, it doesn’t even feature much dancing.

Coasts on the awesomeness of Ruth Bader Ginsburg in a way unadventurous if solidly crowd-pleasing. But the depiction of her incredibly supportive marriage to a feminist man is intensely satisfying.