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The tune may be familiar, but it is performed with virtuoso style, its central characters drawn with wit, charm, and complexity and brought to life via the absolutely gorgeous performances of its stars.
A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.
Damian Chazelle finds a dreamlike reverie amidst rocket-powered mechanical brawn. As wonderfully, nerve-wrackingly exhausting as it is movingly intimate.
An extraordinarily intimate and perceptive new biography of the legendary actor and activist. Fonda reveals insecurities and anxieties that are achingly raw and very personal, but which many women will see themselves in.
This lush throwback to European cinema of the 1950s and 60 looks gorgeous and sounds wonderful, but it never quite gels as the passionate romance it wants to be.
It’s weighed down by unnecessary narration and a surprising lack of conflict. But star Emily Mortimer and director Isabel Coixet create a character study of a rarity onscreen: an earnestly cerebral woman.
Ruth Wilson claims her family farm; Jessica Chastain heads west; Léa Drucker battles her husband; more…
A brilliantly thrilling look back at the flowering of creativity and freethinking spirit of 1960s London, through the thoroughly charming perspective of Michael Caine.
This stilted, utterly implausible film manages the astonishing feat of being both histrionic and monotonous at the same time, trolling us with absurd clichés, yet doing so with a quiet solemnity.
A marvelous, funny, deeply moving biography of Ruth Bader Ginsburg from her rise as a legal champion of women’s rights in the 1970s to her ascension as a Supreme Court justice and social-media hero “Notorious RBG.”
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