Pixels movie review: blue screen of death (please)
Adam Sandler imagines himself as the savior of the planet. And then it gets even more puffed up with arrogance and all manner of masturbatory fantasy.
1980s
Terminator Genisys movie review: back from the future… again
I have a terrible feeling of deja vu. I have a terrible feeling of deja vu. I have a terrible feeling of deja vu. I have a terrible feeling of deja vu.
McFarland USA (aka McFarland) movie review: run and deliver
“Put Kevin Costner in it and you’ve got a sporty Stand and Deliver. The script writes itself.”
The Connection (La French) movie review: not-so-good fellas
With supercool 70s chic and a smart crime thriller vibe, this is a welcome throwback to action dramas of the past, before they chose spectacle over story.
The Man Who Saved the World documentary review: no nukes
Meet the crotchety, bitter old man who, back in 1983 as a crotchety, bitter younger man, refused to initiate global nuclear war. A true story!
Wild Card movie review: hardboiled rotten egg
Piles of noirish exposition get the better of Jason Statham in this unpleasantly retrograde crime drama. What happened in Vegas should have stayed there.
The Grand Budapest Hotel movie review: best exotic nonsense
A grownup storybook of a movie spun out of candy-colored nonsense that challenges you to embrace its falseness and deny its romance.
Foxcatcher movie review: the rich are different
A pensive and unsettling film that defies genre description and keeps you wondering just what the heck sort of film you’re watching.
Pioneer movie review: there will be oil
What is intended to be a suspenseful period drama of paranoia and conspiracy is far too slow-moving and meandering to truly engage.
Get on Up movie review: James Brown’s bad self
Solid biopic of the godfather of funk and soul, but there’s not much genuinely memorable about it beyond Chadwick Boseman’s stunning breakout performance.
