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A portrait of a weak man, humorless and friendless, desperate to be liked, desperate to be seen as someone who matters. Sebastian Stan’s brilliantly disgusting Trump is horrifically riveting.
Nicolas Cage is comedic in a dry, subtle, nakedly painful way, playing with his “Cage rage” persona; his performance is profoundly moving. I only wish the film was more deserving of what he’s doing.
Wonder and mystery dwells in the work of forgotten abstract pioneer Hilma af Klint. Sarcasm and side-eye for the male- and money-dominated fine-art establishment dwells in this superb doc about her.
Mila Kunis and Kaye McKinnon have a spy adventure; Amandla Stenberg fights for respect in a future dystopia; Chloë Grace Moretz undergoes a terrible “therapy”; more…
I think I want to hear more — and in a story for adults, a story not suitable for children — about the summer of 1966 and the Doctor’s adventures with Andy Warhol…
Is something less horrifying when it’s also inevitable, or more horrifying?
WHY IS THIS ONE OF THE BEST FILMS OF THE YEAR?: Even moreso than the TV version of Borat pushed TV boundaries, this film challenges our perceptions of what a film can do, what a film should do. In an arena in which art is necessarily secondary to commerce, Sacha Baron Cohen proved that making … more…
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