critic’s minifesto #1: it’s not personal
When I review a movie, it’s never personal. It’s always about what we are presented with as an entertainment artifact.
When I review a movie, it’s never personal. It’s always about what we are presented with as an entertainment artifact.
Does Hollywood truly intend to be more creative, more original… or is this just a clever new marketing tactic?
The AWFJ is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
Who knew the Hollywood Foreign Press Association had such a sense of humor? A nomination for Best Motion Picture, Musical or Comedy, for The Tourist? Unless… No… They can’t mean “Inadvertent Comedy,” can they?
I bet Angelina Jolie isn’t sorry she got Johnny Depp involved in this at all. I bet she’s loving it…
Anything it takes Stallone *and* a gang of badasses to do in *The Expendables,* Angelina Jolie can do all on her own in *Salt*…
You haven’t heard what Emma Thompson said about Audrey Hepburn? Tee-hee!
And they have to rescue at least one big strong badass guy from mortal danger…
What else can Disney plunder from its own history?
…for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like … more…