film criticism by maryann johanson | since 1997
A moving and important portrait of legendary Times of London foreign correspondent Marie Colvin. We need more movies like this, about fearless, badass women this outrageously good at their vitally necessary work.
The science is ludicrous, the story is almost entirely free of drama, and the finale descends into the hoariest, most ridiculous clichés of the genre. But the future smart-house porn is lovely.
It’s not emotionally enthralling, but there’s still much that’s intriguing in this portrait of a woman who refused to let herself be pushed out of frame.
