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In Wall Street: Money Never Sleeps, Gordon Gekko (Michael Douglas) returns to slime his adorably retro evil high finance all over a new generation of hotshot young MBAs, including Shia LaBeouf. This flick sprang from (among other films)…
In Flipped, a teenaged boy (Callan McAuliffe) and a teenaged girl (Madeline Carroll) in suburban 1960s America learn how tough falling in love can be. This flick sprang from (among other films)…
It’s sort of adorable and sort of terrifying to look at Wall Street: Money Never Sleeps and see the ultimate 80s icon of sharky, sociopathic greed — Gordon Gekko — reduced to an object of quaint amusement, for both the characters onscreen and for us in the viewing audience.
And that realistic attitude is a big part of what makes Boiler Room so refreshing: Younger doesn’t offer any pat, happy endings, doesn’t have all his characters wrap things up by kissing and making nice. The film ends on such an abrupt note — and such a perfect one — that I gasped with unexpected delight.
Never has the chaos and horror of battle been so in-your-face, so personal, as in writer/director Oliver Stone’s Platoon. Based on his experiences in Vietnam, this is a stark, caustic account of one man’s war.
A perfectly wonderful little film…
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