
Red One movie review: a very copaganda Christmas
Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!

Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!

2014’s Snowpiercer is on Hulu and Netflix in the US, Lionsgate+ and Mubi in the UK (and other services too).

Plus sci-fi noir, sun-fueled madness, and more. (First published August 12th, 2022, on Substack and Patreon.)

I laughed a lot while also feeling sick to my stomach. As subtle as a sledgehammer, almost obnoxious… and yet it might as well be a documentary. Is it elegant? Is it art? Who the fuck cares?

An entirely entertaining murder-mystery jape; dryly funny, deliciously retro yet decidedly modern. Whenever you think you’ve got it figured out, it trips you up again… and you love it for doing so.

A miraculous blend of grief and humor. Big, bold, brash, then sneakily meta. I am only starting to get my head around the emotional and creative right-hook of it. A fitting end (for now) to the MCU.

Ten years of Marvel superheroism culminates in a battle for the universe itself. Exhausting, bitterly humorous, and gripped in a stunning finality, it’s almost too much to take in, yet somehow not enough.

Tough, unanswerable human questions frame spectacular, innovative action sequences that are like superhero ballets. This series just keeps getting better.

I’m mystified that some people are upset by how Snowpiercer ends. Because anything else than what we get would be a tragedy on every level.

Hauntingly grim, full of appalling ironies and awful truths. This is most definitely not the feel-good movie of the summer.