The International (review)
Corruption! High finance! Political murder! Clive Owen!
Corruption! High finance! Political murder! Clive Owen!
It’s Thursday, and that means it’s usually time to remake an 80s classic TV show or movie with an all-new cast. But this week, to commemorate my visit to London, let’s have a different kind of fun. I know they’ve already picked Matt Smith to replace David Tennant, but let’s pretend they didn’t. Let’s pretend … more…
Take a break from work: watch a movie trailer… Ooo, bank rage! Clive Owen will solve the global financial crisis for us! How can this not be a huge hit… assuming any of us can afford to go to the movies in 2009? The International opens in the U.S. on February 13, 2009, and in … more…

Let’s get one thing straight: Amy Adams is adorable.
A gloriously deranged orgy of Bugs Bunny-style action and nonstop gunplay.
WHY IS THIS ONE OF THE BEST FILMS OF THE YEAR?: Current culture-wide fears and neuroses get transferred to a horrifying dystopian near future, and in the process, force us to recognize and reconsider how those fears and neuroses are at play in the here and now. For all its science-fictional setting and premise, this … more…

There’s so much despair and anger and grief layered just into the background of Alfonso Cuarón’s film that I can’t shake its gray grimness — I’ve been haunted by this film for weeks now…
I knew nothing about *A History of Violence* before I sat down to watch it, absolutely nothing except that it starred Viggo Mortensen, and that that was enough to make me want to see it. I had even managed to avoid hearing that this was a David Cronenberg film, knowledge that certainly would have colored my expectations about it, as would have the knowledge, which I did not have until just before the movie began, that this was based on a graphic novel.
BEST ACTOR Don Cheadle, Hotel Rwanda It’s a role that, in the hands of even another very competent actor, could have descended into pathos and sentimentality, but Cheadle’s performance goes way beyond mere competence: As an Oskar Schindler-type figure in Rwanda’s 1994 genocide, he approaches incomprehensible horrors in a way that makes us intimate partners … more…
Robert Altman’s latest saga is a sprawling yet intimate upstairs/downstairs murder mystery set at a shooting party at an English manor in 1932, a story much concerned with subtle class warfare and how very nasty very proper people can be. But don’t see it for that. See it for the catty gossip, the cheap rich … more…