Hamlet 2 (review)

You could almost call it, *Where Do Dreams Go to Die?,* this satire that’s so insightful about art and hope and ambition and enthusiasm — and their flip sides of anger and frustration and embarrassment and derailment — that it’s actually painful at times.

The House Bunny (review)

Sex Bomb You’ve heard the term sex bomb. Now hear this: The House Bunny is a nuclear sex bomb, a radioactive weapon deadly to all forms of life except cockroaches and — maybe — morons as catastrophically stupid as the Playboy bunny Anna Faris “portrays” here. Oh, it’s supposed to be adorable, how stupid Faris’s … more…

Vicky Cristina Barcelona (review)

Woodyn’t You Know It My relationship with Woody Allen, which has been love/hate of late — emphasis on the hate — is taking an uptick. His last few films — Scoop, Match Point, Cassandra’s Dream — couldn’t hold a light to, say, Manhattan, but at least they didn’t make me want to claw my eyes … more…

Fly Me to the Moon (review)

My eyes are still burning from this painfully misbegotten attempt to… I don’t know what. Bring back the horrible racial, cultural, and gender stereotypes of the 1960s? Creep out audiences with a depiction of weirdly, disturbingly human-ish flies the likes of which we haven’t seen since the tiny head of that mad scientist squeeked out … more…

The Love Guru (review)

It’s not enough, these days, if you want to make a stupid, crass, juvenile movie, to merely be stupid, crass, and juvenile: Everyone’s doing that, and a filmmaker makes to distinguish himself, right? So here we have the next step — actually several giant next steps — in taking movies to levels so new and so base that they stand apart…