
Madame Web movie review: absurdly tangled
A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.
Our most honored films are Roma (five awards), The Favourite (four awards), and Can You Ever Forgive Me? (three awards).

J.K. Rowling writes another Harry Potter spinoff; Emily Atef writes and directs a portrait of European film star Romy Schneider; more…

Abby Epstein directs medical-marijuana documentary Weed the People; Frances Causey directs racism documentary The Long Shadow; more…

Megan Griffiths directs troubled-teen drama Sadie; Polly Draper directs romantic comedy Stella’s Last Weekend; more…

Leanne Welham directs social-justice drama Pili; Clare Sera cowrites animated comedy Smallfoot; and not much more…

A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.

Lots of movies to chose from, but most are playing on only a very few screens.

Dakota Johnson and Maryana Spivak find themselves in horrible marriages; screenwriter Dorothy Blyskal tells the tale of three heroic young men.

My Fifty Shades of Grey fantasy: Anastasia Steele gets a restraining order against Christian Grey, writes a tell-all book about him, and becomes a #MeToo/#TimesUp heroine. Mmm, sexy.