Burnt movie review: just one cook spoils this broth
A celebration of male obnoxiousness that goes warm and fuzzy over its temperamental manchild as he finally learns to impersonate a decent human being. What?
Daniel Bruhl
The Face of an Angel movie review: fiction is stronger than truth
A contemplative film pondering the nature of the difference between reality and fiction, one with resonance beyond the true-crime story it’s kinda sorta about.
A Most Wanted Man clip: one of Philip Seymour Hoffman’s last performances
Based on a novel by John le Carré, and just debuted at Sundance.
The Fifth Estate review: WikiWeak
Might be interesting if it had enough passion and guts to take a stand, but ends up in the mushy middle of the road, which surely sprang from a desire to be “fair” and “balanced.”
Rush review: man + machine vs man + machine
A thoroughly magnificent film on every level, with astonishing performances by Chris Hemsworth and Daniel Brühl; one of the very best films of 2013.
Benedict Cumberbatch, unsexy (and other adventures in social networking)
Stuff my followers on Facebook, Twitter, and Google+ saw today…
Intruders (review)
Alas that Intruders doesn’t seem to understand that movie monsters need something more primally urgent about them than it has bothered to attach to its Hollowface.
Inglourious Basterds (review)
Only Quentin Tarantino — cinema’s bad boy, the film geek who’s film-geekier than thou — would have the balls to state, as *Inglourious Basterds* comes to a close, that this could well be his masterpiece.
