
Joy movie review: a mess to be mopped up
Even the miscasting of Jennifer Lawrence takes a backseat to the forced quirkiness, which David O. Russell cannot get his cast on the same page with.
Even the miscasting of Jennifer Lawrence takes a backseat to the forced quirkiness, which David O. Russell cannot get his cast on the same page with.
Weirdly funny and weirdly sad, one woman’s slo-mo nervous breakdown becomes an exercise in pathos that is unforgettably poignant.
Actual unretouched phrases that people plugged into search engines this week that led them to this site (with some commentary from me)…
Every week my browser gets cluttered up with tabs for stuff that I stumble across and figure I might be able to use as a Question of the Day or a WTF Thought for the Day or grist for some other post. And inevitably, I end the week with most of that material unused. But … more…
Jennifer Lynch is, like her famouser filmmaker dad David, totally demented. In a good way.
Take a look back at an old trailer… “She’s day-ud, wrapped in plastic…” No, wait, that was the other Laura, Laura Palmer of Twin Peaks. Though David Lynch took a lot of inspiration from this classic 1944 movie. If you haven’t seen Laura, well, you’re in for a treat… “Every woman will feel that when … more…
Take a break from work: watch a trailer… In case you’re not already clued in, director and cowriter Jennifer Lynch is, indeed, David Lynch’s daughter, and yes, she inherited the freaky-weird-moviemaker gene. Also, just about everyone appearing in this movie — definitely French Stewart, Julia Ormond, and Bill Pullman — also have that gene. I … more…
I’m not expecting much from Land of the Lost (opens in the U.S. on June 5, and in the U.K. on July 31) — certainly nothing along the lines of the weird-ass freaky science fiction shit that blew my mind as an eight-year-old watching the original Saturday morning TV show. If it’s as mildly amusing … more…
Donnie Darko in, in fact, what Ferris Bueller’s Day Off might have been if David Lynch had ever gotten his hands on it, a daring, disturbing, visionary debut from 26-year-old writer/director Richard Kelly.