film criticism by maryann johanson | celebrating 25 years: 1997–2022
Two new documentaries — one a shrewdly incisive work of journalism, the other a delicately elegant tale of injustice and friendship — tell all-but-forgotten histories of Black America. Of America.
A free first peek at zeitgeisty film roundups to come…
A deep dive into US evangelical Christians teaming up with Israeli charities in an absolutely terrifying unholy alliance that has geopolitical implications that should worry everyone, believer or not.
This zingy satire is so perfectly, beautifully Jon Stewart: big and brash, raging with fury at the state of American politics but also underlain with hope that it might be changed for the better.
The retro pastel optimism is ironic, but the dark stuff slips by in subtext. This bold, colorful tale, recalling classic superhero films, could be happening in a parallel universe… a much nicer one.
I personally have found it very difficult to focus on anything creative in the past four years (and it only got worse in 2020). And I wasn’t alone…
A work of breathtaking audacity. This is as perilous as comedy gets, and it’s very, very funny, often shockingly so. Sacha Baron Cohen’s scathing cultural strikes land like extinction-level asteroids.
If you’ve been paying attention, not much is surprising in muckraker Alex Gibney’s timeline-driven rundown of Trump’s COVID crimes. But there is immense value in seeing it all laid out so clearly.
Enlightening, enraging history of all the ways in which the United States has tried to bar citizens from voting, plus a primer on what Americans can do right now to ensure that our voices are heard.
I’m obsessed with this British miniseries following one family through a dystopian 2020s. It’s completely harrowing, very nearly soul-crushing. Yet I cling to its tenuous optimism and profound beauty.
