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Gentle kook and visual frolicking bury emotion in this tale of a man mired in grief. Little of its head-scratching whimsy makes a melancholy landing; most just floats away on wisps of insignificance.
Almost entirely ignores the amazing aspect of this true story that makes it worth telling, and even the very good performances point us in another direction than the intended one.
BEST DIRECTOR Lars von Trier, Dogville Ever a risktaker, Lars von Trier took one of the biggest risks onscreen in 2004 with a determinedly uncinematic film that was also unabashedly political — a breathtaking and refreshingly daring combination in an era of play-it-safe “entertainment.” Setting his cast and his scene on a bare, black-box stage, … more…
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