
Cinderella (2021) movie review: from the ashes…
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
film criticism by maryann johanson | since 1997
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
And we have winners!
There is real cinematic tension in this own-worst-enemy tale of addiction and its ever escalating series of bad bets. But Adam Sandler’s unfettered arrogance renders it far from endearing or fun.
There’s magic here, and elemental spirits, but no magic and nothing elemental, metaphorically speaking. Rote and smaller than its predecessor. Even the songs are bland and forgettable.
Jennifer Lee codirects and cowrites Frozen II, starring Kristen Bell and Idina Menzel; more… [This post is for Patreon patrons only for the first month.]
Kasi Lemmons cowrites and directs Harriet, starring Cynthia Enrivo; more… [This post is for Patreon patrons only for the first month.]
The showstopping central musical number is a glorious anthem to female power and ability… and so, in fact, is the whole wonderful movie. Disney is finally getting it. (new DVD/VOD US/Can)