
The Many Saints of Newark movie review: far from heaven
The performances are terrific, the evocation of the period striking, but it feels redundant, more GoodFellas-lite than The Sopranos, and with several TV seasons’ worth of story crammed in.

The performances are terrific, the evocation of the period striking, but it feels redundant, more GoodFellas-lite than The Sopranos, and with several TV seasons’ worth of story crammed in.

A heist movie that is gripping and badass, elegant and assured. You could ignore all the social-justice-warrior stuff and just enjoy this as a popcorn thriller. But what makes this so special is how it reexamines the genre’s clichés.

Moody, atmospheric, even beautiful in its grimness; a medieval adventure unlike any we’ve seen before, with a sharp attention to psychological and moral realism.

So convoluted, confusing, and overly crammed that it’s overwhelming, and not in a pleasant way. But Ben Affleck’s autistic action hero is fascinating.

A particularly ugly iteration of “war is hell”… and I mean that as a compliment. This is a film that is deeply unpleasant and near genius.