
Patriots Day movie review: blurry portrait of a city
Unfocused like a 1970s cast-of-thousands disaster flick, and with little point beyond engaging in bland and easy propagandistic cheering. Boston deserves better.

Unfocused like a 1970s cast-of-thousands disaster flick, and with little point beyond engaging in bland and easy propagandistic cheering. Boston deserves better.

Immensely intense and suspenseful. Disaster filmmaking at its most gripping, yet there is nothing in the least bit exploitive or sensationalized about it.

Clichés about good dads and bad boys go beyond the cheap and obvious and into the insulting. There’s nothing unexpected or even mildly amusing here.

Is the man who sang “We Saw Your Boobs” at the Oscars one to give us a touching story about civil rights and human dignity? Take a guess..

It doesn’t quite work as a package, but Wahlberg is a real pleasure to watch as he crafts a portrait of a tormented anti-hero with an apparent death wish.

Rearranger of space and time Michael Bay has reached a level of aggressive self-actualization that perhaps no other human being has reached before.

Astonishingly, sexy blonde 19-year-old Nicola Peltz is actually playing Mark Wahlberg’s daughter, not his girlfriend. Progress!

Acknowledges the powerful fraternity of soldiers without being jingoistic, and depicts the intensity and adrenaline of a battlefield without being pornographic.

Shhh! don’t tell anywhere where you heard all this…

I like Mark Wahlberg probably more than he deserves, so I should at least find something to appreciate here.