Anna Karenina (review)

There is no pretense that we’re getting a realistic depiction of late-19th-century Russia. Director Joe Wright isn’t merely crafting a metaphor about the social structures under which we all live: he’s underscoring the artificiality of cinema itself.

The Three Musketeers (review)

It is leaden where it should be light. It is graceless and charmless. It reels from the painful banter. It is the epitome of empty soulless corporate filmmaking.

cinematic roots of: ‘Life as We Know It’

In Life as We Know It, Katherine Heigl and Josh Duhamel can’t stand each other, but agree to raise the orphaned child of their friends anyway, because an environment of seething resentment and hatred is hardly different from what other kids grow up in. This flick sprang from (among other films)…

Robin Hood (review)

How can it be that my geeky little heart has been ripped from my chest and my geeky little soul crushed underfoot like so much spilled popcorn on the floor of the multiplex? That wasn’t supposed to happen. Russell Crowe and Ridley Scott’s *Robin Hood* was supposed to be *awesome.*