Anna Karenina (review)

There is no pretense that we’re getting a realistic depiction of late-19th-century Russia. Director Joe Wright isn’t merely crafting a metaphor about the social structures under which we all live: he’s underscoring the artificiality of cinema itself.

cinematic roots of: ‘Life as We Know It’

In Life as We Know It, Katherine Heigl and Josh Duhamel can’t stand each other, but agree to raise the orphaned child of their friends anyway, because an environment of seething resentment and hatred is hardly different from what other kids grow up in. This flick sprang from (among other films)…