
Fast & Furious 8 (aka The Fate of the Furious) movie review: notes from the critics’ ward
EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?

EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?

Bland, tasteless entertainmentstuff intended to neither move nor offend, and succeeds as such. A sad pile of unfunny nothing that falls painfully flat.

A fairly familiar romantic dramedy distinguishes itself because its awkward, immature nerd is a young woman, poignantly portrayed by the wonderful Bel Powley.

Takes women’s hostility out of the realm of the passive-aggressive and gives it free comedic rein physically in a way that is hilarious, disturbing, and pointed.

Ominous signs and psychological detours get tossed out and tossed away on the path to ridiculous gothic nonsense that takes itself far too seriously.

I would give the Oscar in a three-way tie to the Syrian-themed nominees, which offer stunningly intimate observations on the ongoing humanitarian crisis.

Appalling and sadistic. How can anyone who is not a sociopath look at this horrible attempt at feel-good fantasy and say, “This is fine, this is healthy”?

The ultimate anti-disaster movie. A supremely gripping and powerfully emotional film about, paradoxically, what happens when everything works as it should.

Forget about magical creatures: Fantastic Beasts and Where to Find Them could use some help finding itself, and in figuring out who its protagonist is.

Busy with CGI to hide the emptiness where the emotional core should be. Even the mechanics of getting a man from mere mortal to demigod-in-a-cape are rote.