
Gold movie review: this mine is tapped out
Not a terrible excuse for entertainment, just very, very familiar, all paradigms that desperately require a shift, in Hollywood and in the real world.

Not a terrible excuse for entertainment, just very, very familiar, all paradigms that desperately require a shift, in Hollywood and in the real world.

The ultimate anti-disaster movie. A supremely gripping and powerfully emotional film about, paradoxically, what happens when everything works as it should.

Luminous and plaintive, Moonlight is emotional virtual reality, transforming a unique human experience into something universal and unforgettable.

Leonardo DiCaprio’s abashed personal journey to learn about global warming, overcome his pessimism, and find hope that there’s still time to make a difference.

Lefty, loud, proud (and heartbreaking and infuriating with it). Rages against systems once meant to help people that have become machines intended to crush them.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

Alongside plenty of heist-movie humor and suspense is a bleak fatalism grounded in depressing reality and resignation to the miserable necessity it demands.

It’s not great. It’s not terrible. It is bland manufactured entertainment product. It’s fine. Hollywood is not creatively bankrupt. Everything is fine.

A comedy only in the bleakest way, satire only in the sense that the whole world has become a parody of itself. Appalling and amusing in equal measure.

Quickly dispels oh-no-not-more-doom-and-gloom climate-change trepidation with the optimism embodied in the title. There is hope for us, but we must act now.