Where Are the Women?: crunching the numbers
Everything we learned from the Where Are the Women? project. (Spoiler: It’s not pretty, but there is hope…) [This post is not behind the paywall.]
Oscars
Zootropolis (aka Zootopia) movie review: creature feature
Marvelous. A bouncy comedy mystery adventure parable in a fantasy world meticulously and cleverly conceived and gorgeously realized. I adore this movie.
Where Are the Women? a visual breakdown of the 2016 Oscar nominees and winners
When it comes to winning a big award, it looks like representing women well — or at least not quite so badly as many films do — is a good move. [This post is not behind the paywall.]
my predictions for Oscars 2016 (88th Academy Awards for 2015’s films)
Now updated with all the winners…
London photo: Odeon is for Leo for the Oscar
The U.K. cinema chain has gotten behind Leonardo DiCaprio to win the Oscar on Sunday.
Freeheld movie review: lovers *and* fighters
May be a familiar David-versus-Goliath tale, but it is also an inspiring and hugely emotional experience, due in large part to the powerful performances.
Secret in Their Eyes movie review: it should have remained untold
The 2009 Oscar-winning Best Foreign Language Film has been given a listless Hollywood makeover, one that wastes Chiwetel Ejiofor’s effortless sincerity.
Rams (Hrútar) movie review: brothers in farms
Exists on the spectrum between “fascinating and unclassifiably odd” and “could almost be a parody of an arthouse film except it’s too moving to be a joke.”
Oscar Nominated Documentary Shorts (88th Academy Awards) review
“A Girl in the River” masterfully portrays a culture that justifies killing women, its rage subsumed by a dispiriting account of how its customs are perpetuated.
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.
