
Oscar Nominated Live-Action Shorts (88th Academy Awards) review
“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

Paints an impressionistic canvas of unease and disquiet, of hope and wonder, filled with glorious music. Magical… though sometimes it’s black magic.

Update! Another year, another slate of films proving there is almost nothing that men can do, think, or be that The Movies will not deem worthy of a story.

Emotionally tense and smartly nuanced exploration of an ordinary man under extraordinary pressure; a war movie for how we have redefined war today.

Crash, but Jesus-y. Scoffers and doubters will get their smackdown, but even believers should be skeptical at how this ridiculous roundrobin plays out.

The traditional Hollywood disaster flick goes to Norway, and is grim and gripping around all the time-honored ridiculous clichés crammed into it.

Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.

Call this a revisionist feminist postapocalyptic historical western home-invasion horror drama. But even that doesn’t quite do it justice.

A gripping story from a place where women are less than second-class citizens that insists that they are, in fact, people who deserve to live as they please.

It does sort of feel like one of those rah-rah corporate promo videos they make you watch on the day you start a new job, but there are some surprises here.