Regression movie review: no thanks for the memories
Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.
Others
top 11 movies of 2001: the great, the good, and the really, really ugly
Another year of really, really crappy movies was saved, in the end, by a Bohemian storm, a magical ring, a robot boy, and a lonely mademoiselle. A feeling of the otherworldly permeates every movie on my best-of list this year, even the one documentary. And the weird thing is that most of these films were … more…
The Others (review)
The creepy joy of this film is in the capacity it has for astounding even the most jaded movie lover (like me), the one who’s seen it all and can’t even imagine not being able to figure out where yet another ghost story is going. This is classy gothic horror, old-fashioned in the best way: there are no CGI specters, just mysterious footsteps and distant cries and movement in the shadows and hushed whispers and slamming doors.
